Theatre and Entertainment Articles

Explore a featured selection of my writing work below.

Review: Never Closer

Never Closer is a Belvoir St Theatre success, having premiered (in 2022) at the downstairs 80-seat independent 25A theatre for emerging and independent artists, its now moved upstairs to the big theatre. Something that hasn’t happened at Belvoir for 17 years.

Australian writer Grace Chapel’s debut play, Never Closer is a tense production with complex characters living through the Troubles in Northern Ireland. But this play isn’t about the Troubles, it explores friendship, love, resentment and f

The Australian Ballet: Carmen

Artistic Director David Hallberg of the Australian Ballet describes Carmen as the most ambitious contemporary production programmed. It’s a performance that wins on every level.

The curtains rises on a blackened stage with a young child (Lilla Harvey) dressed in white, playing with a ball. Suddenly a figure emerges swathed head-to-toe in black, even their face is covered. It’s a menacing, dramatic start and clear this is a version of Carmen like no other.

Review: The Great Divide

Playwright David Williamson has been named one of Australia’s Living National Treasures. A well-deserved title having written more than 50 plays over 50 years. The prolific writer is meant to be retired, in fact he’s retired twice (2005 and 2020) but anger has spurred him out of retirement and he’s using his pen to offer a glimmer of hope.

Ensemble production The Great Divide looks at the housing crisis and increasing wealth inequality in Australia.

The Australian Ballet: Alice's Adventures In Wonderland

For the first show of the season, Australian Ballet Artistic Director David Hallberg chose the topsy-turvy world of Alice’s Wonderland. Whilst the story is based on the well-known children’s book, British choreographer Christopher Wheeldon takes the audience down a new rabbit hole, one that includes first love, even more adventures and provides a visual feast of delights.

Wheeldon’s Alice’s Adventures in Wonderland was last performed in 2019. Hallberg says Alice redefines what ballet is.

Review: Elvis! Returns To Sydney

Get out your blue suede shoes, Elvis is back in the building! Hip swinging its way around Australia, Elvis: A Musical Revolution has returned!

David Venn Enterprises, the team behind Cruel Intentions: The ‘90s Musical, The Wedding Singer, Bring It On: The Musical, have noted the rave reviews and calls for the King to return. The re-imagined show "is tighter, faster and features even more fan favourite songs", according to producer David Venn.

Review: Overflow

Providing a rare look into the life of a young transgender woman, Overflow was written by internationally acclaimed writer and one of the UK's most prominent trans voices, Travis Alabanza.

Alabanza’s script is funny, frank and heartbreaking. The one-woman play is a 70-minute monologue of Rosie, set in a London club bathroom.

Playing the role of Rosie is proud transgender actress Janet Anderson. A star on the rise, Anderson doesn’t hold back. She’s raw, open, friendly and fierce.

Review: Things Hidden Since The Foundation Of The World

Things Hidden Since the Foundation of the World is clever, confounding and thrilling. The ultra-modern multi-media theatre piece is fast moving, vocally and visually. Blink and you’ll miss an important piece of information.

Things Hidden Since the Foundation of the World is the third-part (however created to be standalone) of Javaad Alipoor’s plays exploring the intercourse of technology and identity. Alipoor, a British-Iranian, Manchester-based writer, theatre-maker and political activist, co-

Review: Smashed The Nightcap

If you’re looking for a wild and a little bit naughty, late night adventure, Smashed: The Nightcap will certainly satisfy.

The Sydney Festival show is a femme-fronted mixture of cabaret, circus and drag. Featuring a live four-piece band and a troupe of powerful songstresses, circus acts and burlesque performers.

Hostess and award-winning cabaret queen Victoria Falconer is in her element as she canoodles with the audience close up, simultaneously teasing, taunting and titillating.

Review: Swan Lake ~ The Australian Ballet

For the final show of the year, Australian Ballet Artistic Director David Hallberg chose the classic and perhaps one of the most well-known stories, Swan Lake.

Swan Lake is the tragic love story of Prince Siegfried (Caley) who falls in love with the swan/maiden Odette (Bemet). Only a vow of true love and fidelity can break the spell and free Odette from her swan existence however Siegfried is tricked into betraying Odette.

Swan Lake was first performed at the Bolshoi Theatre in Moscow in 1877.

Review: Darwin's Reptilia

Darwin’s Reptilia is a comedy-drama with a biting script that will keep audiences glued until the end.

The play opens with a self-obsessed couple Renata and Declan (played by Ainslie McGlynn and Danny Ball), in New York having separate conversations, neither listening to the other, until Renata receives news that her estranged mother has died. The self-help author decides to take advantage of the opportunity, travel to “wild exotic” Australia, attend the funeral and meet her half-sister

The Australian Ballet ~ The Dream, Marguerite + Armand

The Australian Ballet presents a double bill of one of the greatest choreographers of the 20th century Sir Frederick Ashton’s timeless classics, The Dream and Marguerite and Armand.

Based on a true story, Marguerite and Armand tells the story of the tumultuous, doomed love affair between the courtesan Marguerite Gautier and her young lover Armand, recalled by Marguerite in a series of flashbacks as she lies on her deathbed.

Review: Venus & Adonis

Whilst the name Shakespeare and his literature is known throughout the world, that of his rumored rival, lover and muse, Amelia Lanyer is less known. Venus & Adonis gives voice to the poet hidden in history, the poet that Shakespeare loved and yet borrowed her life and the words said to him, for his own stories.

The play, intended for the stage but blocked by COVID was released as a feature film in 2020 and now (finally) makes its world premiere in the theatre.
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